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Kathy's Cash Shortage
April 28, 2006

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I Need A Bigger Purse
Category: SATIRE
By: Pete Kendall, May 1, 2006

When the market makes it to the funny papers, the message is bearish regardless of the cartoonists’ theme.
The Elliott Wave Theorist, May 1997

I am a regular reader of popular cartoons and recently one popular cartoon called "Cathy" has been talking about the risk of the stock market and the bursting of the housing bubble. Does humor typically come before "uh oh" or does it come during the initial pain of a downturn, as a way of smiling through it (with clenched teeth)?
--Susan

It usually starts with the peak and builds in the initial stages of the decline. And you are exactly right, it appears to be some kind of collective defense mechanism for dealing with the inevitable setbacks. Back in December 1999, when the Dow Jones Industrial Average was just a few week's from its all-time high, The Elliott Wave Financial Forecast showed a few funny cultural takes on the stock market bubble and noted that the "desire for comic relief will expand rapidly in the weeks ahead." After the Dow peaked on January 14, 2000, EWFF observed a flood of comic takes on stocks. Here's one, followed by some of what EWFF had to say about it:

Doonesbury does Wall Street

"Cartoonists’ repeated use of investment themes shows how deeply the market has reached into the mainstream of American life.  At this point, the message is extremely bearish, as popular cartoons like doonesbury have been covering the mania on an almost daily basis. The cartoons work because a mania is pretty funny."

By July 2000, when the S&P and NASDAQ had joined in with the Dow's decline, the papers were packed full of humorous references to what was going on in the market. Here's one we showed in that month's issue and some of what EWFF had to say about it.

Jumpin' for Stocks

"Another sign of a major mood change is the “gallows humor that prevails” around Wall Street and Silicon Valley. This cartoon is one small example. Cartoonists are cracking up readers with similar pieces at such a steady rate that the editor of a digest of cartoons has established a Wall Street section to which he posts five or six additions each day. A former TV writer has just published “The Trillionaire Next Door,” a twisted look at day trading. Newsweek says, “He has developed a weird new niche: satirizing the financial pages.” After Esquire printed an April Fools Day prank about a bogus concept company that planned to give away cars plastered with ads, it was flooded with calls for the new advertising vehicles. One company called to say the author had ripped him off. FreeCars.com really does plan to give away cars as ads. Reality may be on its way back, but it still has a long way to go before it is re-established."

As we noted in our original observation about stock market cartoons (see May 1997 entry in Additoinal References), cartoonists have a way of crystalizing the human experience. Theirs is the role of the jester, which means they provide a reality check – to say what higher members of the court are too intimidated or subservient to say. And so it is with the “Kathy” strip at the top of this page. It says what almost no investment adviser or financial authority now believes: That investment assets are extremely vulnerable “across-the-board,” and “Cash is king.” It may seem weird that this understanding, which should prove invaluable to anyone who possesses it, is almost exclusively available in the comic section of the daily newspaper, but in the paradoxical world of high finance, it is perfectly appropriate. 

Additional References

May 1997, The Elliott Wave Theorist
There has been a flood of cartoons featuring Wall Street themes in recent months. “Doonesbury,” “Dilbert,” “Thatch,” “Frank and Earnest” and numerous editorial page cartoonists have been observing nuances and ironies of the investment world. Even those little wax paper comics that come with Bazooka bubble gum featured a stock market joke. On the surface, it might not be immediately clear that the market’s arrival in the comics is a bearish development because many of these portraits focus on losses. But a survey of several cartoonists has led us to conclude that when the market makes it to the funny papers, the message is bearish regardless of the cartoonists’ theme. Cartoonists say they never mentioned the stock market much before because not enough people would get the joke. Successful cartoonists make their living crystallizing the everyday experiences of life. The repeated use of investment themes shows how deeply the market has reached into the mainstream of American life. As for the loss-oriented nature of many cartoons, Tom Toles of the Buffalo News suggests that cartoonists are contrarian by nature. Profits aren’t funny, but losses are. It is worth noting that whatever their natures, all four of the cartoonists surveyed said they were in the market.


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